High Jewellery
Collections, not catalogues.
Each high jewellery collection begins with stones the house would not part with. They are not seasonal, they are never reissued, and they are shown in person.
Diamonds in flower
The Royal Bloom Collection
Petals cut from marquise and pear diamonds, set to open toward the light. Each cluster is built by hand, stone by stone, until the bloom holds its own shape.
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Colour, in movement
The Emerald Symphony Collection
Stones of unusual saturation, matched over years rather than seasons. The settings are deliberately quiet so the colour carries the piece.
DiscoverPresented on request at the boutique.
Sapphire
Azurea
A study in blue. Cushion and oval sapphires haloed in brilliant-cut diamonds and set close to the finger.
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For the evening
The Grand Gala
Statement necklaces and chandelier earrings, conceived for a single entrance. Weight is distributed so the pieces sit still while worn.
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Archival forms, reworked
The Grand Duchess
Drawn from early twentieth-century court jewellery and rebuilt to modern tolerances. Openwork galleries and millegrain edges throughout.
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Warm light
Rosé Impériale
Warm-toned mounts paired with champagne and colourless diamonds. Softer in tone, no less exacting in construction.
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The line necklace, perfected
Aurora Riviera
A graduated riviera of matched diamonds. Every stone is selected for the same body colour so the line reads as one continuous light.
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Falling light
Golden Cascade
Articulated links set with baguette and round diamonds, engineered to move as a single fall across the skin.
DiscoverPresented on request at the boutique.